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If one were asked to name one musician who came closest to composing without human flaw, I suppose general consensus would choose Johann Sebastian Bach.

Aaron Copland

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Aaron Copland
Age: 90 †
Born: 1900
Born: November 14
Died: 1990
Died: December 2
Choreographer
Composer
Conductor
Film Score Composer
Jazz Musician
Music Critic
Music Pedagogue
Musicologist
Pianist
Brooklyn
New York
Names
Closest
Human
Suppose
Johann
Humans
Musician
Sebastian
Without
General
Bach
Would
Asked
Flaw
Choose
Composing
Name
Consensus
Came
Flaws

More quotes by Aaron Copland

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Most people use music as a couch they want to be pillowed on it, relaxed and consoled for the stress of daily living. But serious music was never meant to be soporific.
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So long as the human spirit thrives on this planet, music in some living form will accompany and sustain it and give it expressive meaning.
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I don't compose. I assemble materials.
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The greatest moments of the human spirit may be deduced from the greatest moments in music.
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Composers tend to assume that everyone loves music. Surprisingly enough, everyone doesn’t.
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Music that is born complex is not inherently better or worse than music that is born simple.
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There is something about music that keeps its distance even at the moment that it engulfs us. It is at the same time outside and away from us and inside and part of us. In one sense it dwarfs us, and in another we master it. We are led on and on, and yet in some strange way we never lose control.
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I adore extravagance but I abhor waste.
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You may feel depressed, but it can't be so depressing that you can't move. No, I would say that people create in moments when they are elated about expressing their depression!
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Arthur V. Berger commenting on the music of Aaron Copland: Here is at last an American that we may place unapologetically beside the great recognized creative figures of any other country.
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A great symphony is a man-made Mississippi down which we irresistibly flow from the instant of our leave-taking to a long forseen destination.
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If a literary man puts together two words about music, one of them will be wrong.
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Someone once asked me... whether I waited for inspiration. My answer was: Every day!
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You compose because you want to somehow summarize in some permanent form your most basic feelings about being alive, to set down some sort of permanent statement about the way it feels to live now, today.
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Mozart tapped the source from which all music flows, expressing himself with a spontaneity and refinement and breathtaking rightness.
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The main thing is to be satisfied with your work yourself. It's useless to have an audience happy if you are not happy.
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This whole problem can be stated quite simply by asking, “Is there a meaning to music?” My answer to that would be, “Yes.” And “Can you state in so many words what the meaning is?” My answer to that would be, “No.”
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When I speak of the gifted listener, I am thinking of the nonmusician primarily, of the listener who intends to retain his amateur status. It is the thought of just such a listener that excites the composer in me.
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You may be sitting in a room reading this book. Imagine one note struck upon the piano. Immediately that one note is enough to change the atmosphere of the room - proving that the sound element in music is a powerful and mysterious agent, which it would be foolish to deride or belittle.
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A melody is not merely something you can hum.
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