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One thing that I learned in recent years from working more with other people is this idea that part of a producer's job is to make people comfortable and confident.

A-Trak

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A-Trak
Age: 42
Born: 1982
Born: March 30
Composer
Disc Jockey
Dj
Entrepreneur
Musician
Record Producer
Recording Artist
Singer
Montreal
Quebec
Alain Macklovitch
Idea
Part
Thing
Producer
Years
Recent
Make
Confident
People
Comfortable
Learned
Working

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At the end of the day, Fool's Gold is a label that, when I hear something I like, I try to grab it for the label. There's a ton of great music coming out.
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That was my challenge then, how to make scratching still fun for someone who didn't necessarily come to hear that. It was fun to develop that technique. And now in dance music - I'm still a hip-hop guy at heart, but I love dance music.
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I've talked to people who say that their music and their creative work is a much needed and appreciated escape, where they don't have to think about the state of the world they're not even thinking about themselves so much. They're not trying to express their own experiences of that day or relationship strife or anything.
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I have a radio show on Sirius XM. I put it up as a free download on my Soundcloud and on iTunes. That's a portal for me once a month, to play songs I know aren't getting played on that station the rest of the week.
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Right now it feels like we're playing a role, like me and a couple of my friends, in where popular culture is going. That's a very rare thing in a person's life to be able to be a part of that. It's a responsibility I take seriously.
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There's a bit less elbow room and latitude to take it somewhere else, at least at festivals. In the club you can do whatever you want but at festivals, especially Ultra, nowadays the crowd wants to hear our songs.
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I love disco and we sample it a lot for Duck Sauce. For me, that sound is kind of a new manifestation.
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There are things I like, there are things I strongly dislike. In my DJ sets and in my production I just gravitate towards what I like.
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I'm one of the few DJs who uses turntables. I'm the only DJ that's scratching.
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Building the scene, going out and doing shows and connecting with the fans, cultivating the fanbase in all these cities. I'm very glad that it's happening.
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I was a bit of an outsider in the hip-hop world because I was a scratch kid and people weren't necessarily trying to hear that all the time.
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A few guys will get up there with turntables as purists, to play vinyl or whatever.
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The essential component of being a DJ is setting the mood it's playing to the context. So that if you're not able to adapt from one context to another, then you're not a DJ.
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I worked with him for years. I still think Kanye [West] is one of the most important people in music in the last ten years.
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It's always important to me to play something other DJs aren't playing.
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We have to wake up early and make songs everyday. I run my record label. You work at hours where your body isn't designed to work. But it's fun.
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I think whether dance music had exploded in America, I still would've been a DJ a long time. This is my first love.
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It's a good feeling to have something to stand for in any part of your life. It's like personal integrity.
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I'm not even a trained producer. I just keep following my ear and working on stuff until it sounds the way I like it.
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At festivals you kind of have to play the game a bit and you have to play a lot of the big bangers but it's to me it's extra gratifying to be able to play the non-bangers and make it work. Because that's still the craft of the DJ, I think.
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