Quote

We have to wake up early and make songs everyday. I run my record label. You work at hours where your body isn't designed to work. But it's fun.

A-Trak

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TAGS & TOPICS

A-Trak
Age: 42
Born: 1982
Born: March 30
Composer
Disc Jockey
Dj
Entrepreneur
Musician
Record Producer
Recording Artist
Singer
Montreal
Quebec
Alain Macklovitch
Song
Wake
Running
Everyday
Body
Record
Work
Early
Make
Songs
Records
Label
Fun
Designed
Hours
Labels

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I'm one of the few DJs who uses turntables. I'm the only DJ that's scratching.
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It's a good feeling to have something to stand for in any part of your life. It's like personal integrity.
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I love disco and we sample it a lot for Duck Sauce. For me, that sound is kind of a new manifestation.
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Building the scene, going out and doing shows and connecting with the fans, cultivating the fanbase in all these cities. I'm very glad that it's happening.
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There's a lot of producers that are much more technical or gear-skilled than I am. But I have a pure idea of what I like and where I want to go and I follow that.
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I think whether dance music had exploded in America, I still would've been a DJ a long time. This is my first love.
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At the end of the day, Fool's Gold is a label that, when I hear something I like, I try to grab it for the label. There's a ton of great music coming out.
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It's always important to me to play something other DJs aren't playing.
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I worked with him for years. I still think Kanye [West] is one of the most important people in music in the last ten years.
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I have a radio show on Sirius XM. I put it up as a free download on my Soundcloud and on iTunes. That's a portal for me once a month, to play songs I know aren't getting played on that station the rest of the week.
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Right now it feels like we're playing a role, like me and a couple of my friends, in where popular culture is going. That's a very rare thing in a person's life to be able to be a part of that. It's a responsibility I take seriously.
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I think one of the biggest things that's changed in terms of the rapport with the crowd is that now crowds come to hear our songs. We're getting closer and closer to an artist performance.
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There are things I like, there are things I strongly dislike. In my DJ sets and in my production I just gravitate towards what I like.
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There's a bit less elbow room and latitude to take it somewhere else, at least at festivals. In the club you can do whatever you want but at festivals, especially Ultra, nowadays the crowd wants to hear our songs.
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I was a bit of an outsider in the hip-hop world because I was a scratch kid and people weren't necessarily trying to hear that all the time.
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I'm still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
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I'm not even a trained producer. I just keep following my ear and working on stuff until it sounds the way I like it.
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That's what a DJ is at the end of the day - someone who leads where the music goes. The only thing that's changed is that in America, people have woken up in the last few years and realized it.
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Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.
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I think that's becoming the key to where the whole idea of art and culture are going nowadays anyway, is the idea of curation. Knowing what you like. That's sort of the future right now. Molding something, whether it be a roster on a label, or your blog, or a song, or your DJ set.
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