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We have to wake up early and make songs everyday. I run my record label. You work at hours where your body isn't designed to work. But it's fun.
A-Trak
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A-Trak
Age: 42
Born: 1982
Born: March 30
Composer
Disc Jockey
Dj
Entrepreneur
Musician
Record Producer
Recording Artist
Singer
Montreal
Quebec
Alain Macklovitch
Song
Wake
Running
Everyday
Body
Record
Work
Early
Make
Songs
Records
Label
Fun
Designed
Hours
Labels
More quotes by A-Trak
I like getting feedback from people who show a lot of potential, and it's exciting to witness to new talents developing and bourgeoning. I always try to stay around the newest stuff, I don't like to stay with something that's kind of old or approaching it.
A-Trak
I think whether dance music had exploded in America, I still would've been a DJ a long time. This is my first love.
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It's a good feeling to have something to stand for in any part of your life. It's like personal integrity.
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One thing that I learned in recent years from working more with other people is this idea that part of a producer's job is to make people comfortable and confident.
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I think one of the biggest things that's changed in terms of the rapport with the crowd is that now crowds come to hear our songs. We're getting closer and closer to an artist performance.
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It's always important to me to play something other DJs aren't playing.
A-Trak
There's a ton of amazing music that's not getting heard.
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I'm one of the few DJs who uses turntables. I'm the only DJ that's scratching.
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I'm still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
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Now I'm able to play on the main stage and play my own tracks and the crowd likes them. I feel like a lot the other DJs play a lot of the same songs, and not to knock them, but it's important to me to go up there and sort of sneak in a bunch of stuff the other guys aren't playing.
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My ears are open to all sorts of stuff. I appreciate some of the big electro house guys.I love their music but I also like a lot of the stuff coming out of the U.K. Future garage stuff. A lot of stuff like that.
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I've been doing it since I was prepubescent when I loved to scratch records and play good music. As it happens, you know I sort of fell into the mix. I really feel like I played a role in bringing dance music to America years ago.
A-Trak
At festivals you kind of have to play the game a bit and you have to play a lot of the big bangers but it's to me it's extra gratifying to be able to play the non-bangers and make it work. Because that's still the craft of the DJ, I think.
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Right now it feels like we're playing a role, like me and a couple of my friends, in where popular culture is going. That's a very rare thing in a person's life to be able to be a part of that. It's a responsibility I take seriously.
A-Trak
When I get up I still check the rap blogs before I check any kind of dance stuff.
A-Trak
I think that's becoming the key to where the whole idea of art and culture are going nowadays anyway, is the idea of curation. Knowing what you like. That's sort of the future right now. Molding something, whether it be a roster on a label, or your blog, or a song, or your DJ set.
A-Trak
I love disco and we sample it a lot for Duck Sauce. For me, that sound is kind of a new manifestation.
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I worked with him for years. I still think Kanye [West] is one of the most important people in music in the last ten years.
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The essential component of being a DJ is setting the mood it's playing to the context. So that if you're not able to adapt from one context to another, then you're not a DJ.
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There are things I like, there are things I strongly dislike. In my DJ sets and in my production I just gravitate towards what I like.
A-Trak