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I'm still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
A-Trak
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A-Trak
Age: 42
Born: 1982
Born: March 30
Composer
Disc Jockey
Dj
Entrepreneur
Musician
Record Producer
Recording Artist
Singer
Montreal
Quebec
Alain Macklovitch
Stills
Still
Never
Producer
Label
Hops
Hips
Labels
Producers
More quotes by A-Trak
It's always important to me to play something other DJs aren't playing.
A-Trak
I love disco and we sample it a lot for Duck Sauce. For me, that sound is kind of a new manifestation.
A-Trak
Right now it feels like we're playing a role, like me and a couple of my friends, in where popular culture is going. That's a very rare thing in a person's life to be able to be a part of that. It's a responsibility I take seriously.
A-Trak
I have a radio show on Sirius XM. I put it up as a free download on my Soundcloud and on iTunes. That's a portal for me once a month, to play songs I know aren't getting played on that station the rest of the week.
A-Trak
There are things I like, there are things I strongly dislike. In my DJ sets and in my production I just gravitate towards what I like.
A-Trak
A few guys will get up there with turntables as purists, to play vinyl or whatever.
A-Trak
At the end of the day, Fool's Gold is a label that, when I hear something I like, I try to grab it for the label. There's a ton of great music coming out.
A-Trak
We have to wake up early and make songs everyday. I run my record label. You work at hours where your body isn't designed to work. But it's fun.
A-Trak
The essential component of being a DJ is setting the mood it's playing to the context. So that if you're not able to adapt from one context to another, then you're not a DJ.
A-Trak
I think that's becoming the key to where the whole idea of art and culture are going nowadays anyway, is the idea of curation. Knowing what you like. That's sort of the future right now. Molding something, whether it be a roster on a label, or your blog, or a song, or your DJ set.
A-Trak
I've been doing it since I was prepubescent when I loved to scratch records and play good music. As it happens, you know I sort of fell into the mix. I really feel like I played a role in bringing dance music to America years ago.
A-Trak
Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.
A-Trak
I was a bit of an outsider in the hip-hop world because I was a scratch kid and people weren't necessarily trying to hear that all the time.
A-Trak
When I get up I still check the rap blogs before I check any kind of dance stuff.
A-Trak
At festivals you kind of have to play the game a bit and you have to play a lot of the big bangers but it's to me it's extra gratifying to be able to play the non-bangers and make it work. Because that's still the craft of the DJ, I think.
A-Trak
I'm one of the few DJs who uses turntables. I'm the only DJ that's scratching.
A-Trak
Now I'm able to play on the main stage and play my own tracks and the crowd likes them. I feel like a lot the other DJs play a lot of the same songs, and not to knock them, but it's important to me to go up there and sort of sneak in a bunch of stuff the other guys aren't playing.
A-Trak
I worked with him for years. I still think Kanye [West] is one of the most important people in music in the last ten years.
A-Trak
When you know what you like and what you want and you're able to nudge things in the right direction, that's more profitable than ever, because there's so much information out there. Everything's saturated. Tastemaker is probably the most overused word, but I still think it's important.
A-Trak
I like getting feedback from people who show a lot of potential, and it's exciting to witness to new talents developing and bourgeoning. I always try to stay around the newest stuff, I don't like to stay with something that's kind of old or approaching it.
A-Trak