Quote

I love disco and we sample it a lot for Duck Sauce. For me, that sound is kind of a new manifestation.

A-Trak

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A-Trak
Age: 42
Born: 1982
Born: March 30
Composer
Disc Jockey
Dj
Entrepreneur
Musician
Record Producer
Recording Artist
Singer
Montreal
Quebec
Alain Macklovitch
Duck
Sauce
Ducks
Manifestation
Sound
Kind
Love
Disco
Sample

More quotes by A-Trak

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I'm not even a trained producer. I just keep following my ear and working on stuff until it sounds the way I like it.
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I'm still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
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Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.
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Building the scene, going out and doing shows and connecting with the fans, cultivating the fanbase in all these cities. I'm very glad that it's happening.
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It's always important to me to play something other DJs aren't playing.
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I was a bit of an outsider in the hip-hop world because I was a scratch kid and people weren't necessarily trying to hear that all the time.
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I've been doing it since I was prepubescent when I loved to scratch records and play good music. As it happens, you know I sort of fell into the mix. I really feel like I played a role in bringing dance music to America years ago.
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At the end of the day, Fool's Gold is a label that, when I hear something I like, I try to grab it for the label. There's a ton of great music coming out.
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There's a ton of amazing music that's not getting heard.
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I'm one of the few DJs who uses turntables. I'm the only DJ that's scratching.
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There are things I like, there are things I strongly dislike. In my DJ sets and in my production I just gravitate towards what I like.
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It's a good feeling to have something to stand for in any part of your life. It's like personal integrity.
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When you know what you like and what you want and you're able to nudge things in the right direction, that's more profitable than ever, because there's so much information out there. Everything's saturated. Tastemaker is probably the most overused word, but I still think it's important.
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At festivals you kind of have to play the game a bit and you have to play a lot of the big bangers but it's to me it's extra gratifying to be able to play the non-bangers and make it work. Because that's still the craft of the DJ, I think.
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Now I'm able to play on the main stage and play my own tracks and the crowd likes them. I feel like a lot the other DJs play a lot of the same songs, and not to knock them, but it's important to me to go up there and sort of sneak in a bunch of stuff the other guys aren't playing.
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There are producers that have been my friends for many years that I'm still a big fan of, from Boyz Noize to solo acts. Justice. It really varies. All the way to like...sometimes I'll just find some dude out of Chicago that makes a great house song. I'm feeling a lot of the deep house stuff, Jamie Jones.
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When I get up I still check the rap blogs before I check any kind of dance stuff.
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One thing that I learned in recent years from working more with other people is this idea that part of a producer's job is to make people comfortable and confident.
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The essential component of being a DJ is setting the mood it's playing to the context. So that if you're not able to adapt from one context to another, then you're not a DJ.
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I think whether dance music had exploded in America, I still would've been a DJ a long time. This is my first love.
A-Trak