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I have a radio show on Sirius XM. I put it up as a free download on my Soundcloud and on iTunes. That's a portal for me once a month, to play songs I know aren't getting played on that station the rest of the week.

A-Trak

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A-Trak
Age: 42
Born: 1982
Born: March 30
Composer
Disc Jockey
Dj
Entrepreneur
Musician
Record Producer
Recording Artist
Singer
Montreal
Quebec
Alain Macklovitch
Show
Played
Sirius
Song
Aren
Download
Shows
Songs
Downloads
Play
Months
Portal
Rest
Station
Week
Stations
Getting
Month
Free
Radio

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It's a good feeling to have something to stand for in any part of your life. It's like personal integrity.
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There are producers that have been my friends for many years that I'm still a big fan of, from Boyz Noize to solo acts. Justice. It really varies. All the way to like...sometimes I'll just find some dude out of Chicago that makes a great house song. I'm feeling a lot of the deep house stuff, Jamie Jones.
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We have to wake up early and make songs everyday. I run my record label. You work at hours where your body isn't designed to work. But it's fun.
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What's amazing about a DJ set is when you're able to re-appropriate a song or give purpose to a song that people didn't really think it was supposed to have. Give it this sort of hidden power by playing it before this song and after that one. That it fits into this logic and it goes farther than you thought it could go.
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There's a bit less elbow room and latitude to take it somewhere else, at least at festivals. In the club you can do whatever you want but at festivals, especially Ultra, nowadays the crowd wants to hear our songs.
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When I get up I still check the rap blogs before I check any kind of dance stuff.
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I worked with him for years. I still think Kanye [West] is one of the most important people in music in the last ten years.
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I like getting feedback from people who show a lot of potential, and it's exciting to witness to new talents developing and bourgeoning. I always try to stay around the newest stuff, I don't like to stay with something that's kind of old or approaching it.
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I'm one of the few DJs who uses turntables. I'm the only DJ that's scratching.
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There's a lot of producers that are much more technical or gear-skilled than I am. But I have a pure idea of what I like and where I want to go and I follow that.
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I think that's becoming the key to where the whole idea of art and culture are going nowadays anyway, is the idea of curation. Knowing what you like. That's sort of the future right now. Molding something, whether it be a roster on a label, or your blog, or a song, or your DJ set.
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I love disco and we sample it a lot for Duck Sauce. For me, that sound is kind of a new manifestation.
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One thing that I learned in recent years from working more with other people is this idea that part of a producer's job is to make people comfortable and confident.
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Now I'm able to play on the main stage and play my own tracks and the crowd likes them. I feel like a lot the other DJs play a lot of the same songs, and not to knock them, but it's important to me to go up there and sort of sneak in a bunch of stuff the other guys aren't playing.
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I've talked to people who say that their music and their creative work is a much needed and appreciated escape, where they don't have to think about the state of the world they're not even thinking about themselves so much. They're not trying to express their own experiences of that day or relationship strife or anything.
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There's a ton of amazing music that's not getting heard.
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Building the scene, going out and doing shows and connecting with the fans, cultivating the fanbase in all these cities. I'm very glad that it's happening.
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There are things I like, there are things I strongly dislike. In my DJ sets and in my production I just gravitate towards what I like.
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It's always important to me to play something other DJs aren't playing.
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A few guys will get up there with turntables as purists, to play vinyl or whatever.
A-Trak