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There's a ton of amazing music that's not getting heard.

A-Trak

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A-Trak
Age: 42
Born: 1982
Born: March 30
Composer
Disc Jockey
Dj
Entrepreneur
Musician
Record Producer
Recording Artist
Singer
Montreal
Quebec
Alain Macklovitch
Amazing
Heard
Getting
Music

More quotes by A-Trak

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I'm still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
A-Trak
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I've been doing it since I was prepubescent when I loved to scratch records and play good music. As it happens, you know I sort of fell into the mix. I really feel like I played a role in bringing dance music to America years ago.
A-Trak
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It's a good feeling to have something to stand for in any part of your life. It's like personal integrity.
A-Trak
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Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.
A-Trak
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At the end of the day, Fool's Gold is a label that, when I hear something I like, I try to grab it for the label. There's a ton of great music coming out.
A-Trak
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When I get up I still check the rap blogs before I check any kind of dance stuff.
A-Trak
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I think whether dance music had exploded in America, I still would've been a DJ a long time. This is my first love.
A-Trak
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Right now it feels like we're playing a role, like me and a couple of my friends, in where popular culture is going. That's a very rare thing in a person's life to be able to be a part of that. It's a responsibility I take seriously.
A-Trak
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I'm not even a trained producer. I just keep following my ear and working on stuff until it sounds the way I like it.
A-Trak
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The essential component of being a DJ is setting the mood it's playing to the context. So that if you're not able to adapt from one context to another, then you're not a DJ.
A-Trak
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There are things I like, there are things I strongly dislike. In my DJ sets and in my production I just gravitate towards what I like.
A-Trak
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My ears are open to all sorts of stuff. I appreciate some of the big electro house guys.I love their music but I also like a lot of the stuff coming out of the U.K. Future garage stuff. A lot of stuff like that.
A-Trak
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I think that's becoming the key to where the whole idea of art and culture are going nowadays anyway, is the idea of curation. Knowing what you like. That's sort of the future right now. Molding something, whether it be a roster on a label, or your blog, or a song, or your DJ set.
A-Trak
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That was my challenge then, how to make scratching still fun for someone who didn't necessarily come to hear that. It was fun to develop that technique. And now in dance music - I'm still a hip-hop guy at heart, but I love dance music.
A-Trak
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What's amazing about a DJ set is when you're able to re-appropriate a song or give purpose to a song that people didn't really think it was supposed to have. Give it this sort of hidden power by playing it before this song and after that one. That it fits into this logic and it goes farther than you thought it could go.
A-Trak
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I was a bit of an outsider in the hip-hop world because I was a scratch kid and people weren't necessarily trying to hear that all the time.
A-Trak
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I've talked to people who say that their music and their creative work is a much needed and appreciated escape, where they don't have to think about the state of the world they're not even thinking about themselves so much. They're not trying to express their own experiences of that day or relationship strife or anything.
A-Trak
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At festivals you kind of have to play the game a bit and you have to play a lot of the big bangers but it's to me it's extra gratifying to be able to play the non-bangers and make it work. Because that's still the craft of the DJ, I think.
A-Trak
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It's always important to me to play something other DJs aren't playing.
A-Trak
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One thing that I learned in recent years from working more with other people is this idea that part of a producer's job is to make people comfortable and confident.
A-Trak