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When I get up I still check the rap blogs before I check any kind of dance stuff.

A-Trak

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A-Trak
Age: 42
Born: 1982
Born: March 30
Composer
Disc Jockey
Dj
Entrepreneur
Musician
Record Producer
Recording Artist
Singer
Montreal
Quebec
Alain Macklovitch
Dance
Stuff
Stills
Still
Kind
Check
Rap
Checks

More quotes by A-Trak

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I love disco and we sample it a lot for Duck Sauce. For me, that sound is kind of a new manifestation.
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Right now it feels like we're playing a role, like me and a couple of my friends, in where popular culture is going. That's a very rare thing in a person's life to be able to be a part of that. It's a responsibility I take seriously.
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I'm one of the few DJs who uses turntables. I'm the only DJ that's scratching.
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Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.
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The essential component of being a DJ is setting the mood it's playing to the context. So that if you're not able to adapt from one context to another, then you're not a DJ.
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I'm still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
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That was my challenge then, how to make scratching still fun for someone who didn't necessarily come to hear that. It was fun to develop that technique. And now in dance music - I'm still a hip-hop guy at heart, but I love dance music.
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Building the scene, going out and doing shows and connecting with the fans, cultivating the fanbase in all these cities. I'm very glad that it's happening.
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There are producers that have been my friends for many years that I'm still a big fan of, from Boyz Noize to solo acts. Justice. It really varies. All the way to like...sometimes I'll just find some dude out of Chicago that makes a great house song. I'm feeling a lot of the deep house stuff, Jamie Jones.
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That's what a DJ is at the end of the day - someone who leads where the music goes. The only thing that's changed is that in America, people have woken up in the last few years and realized it.
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At festivals you kind of have to play the game a bit and you have to play a lot of the big bangers but it's to me it's extra gratifying to be able to play the non-bangers and make it work. Because that's still the craft of the DJ, I think.
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I'm not even a trained producer. I just keep following my ear and working on stuff until it sounds the way I like it.
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I've talked to people who say that their music and their creative work is a much needed and appreciated escape, where they don't have to think about the state of the world they're not even thinking about themselves so much. They're not trying to express their own experiences of that day or relationship strife or anything.
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It's a good feeling to have something to stand for in any part of your life. It's like personal integrity.
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At the end of the day, Fool's Gold is a label that, when I hear something I like, I try to grab it for the label. There's a ton of great music coming out.
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Now I'm able to play on the main stage and play my own tracks and the crowd likes them. I feel like a lot the other DJs play a lot of the same songs, and not to knock them, but it's important to me to go up there and sort of sneak in a bunch of stuff the other guys aren't playing.
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I like getting feedback from people who show a lot of potential, and it's exciting to witness to new talents developing and bourgeoning. I always try to stay around the newest stuff, I don't like to stay with something that's kind of old or approaching it.
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There's a lot of producers that are much more technical or gear-skilled than I am. But I have a pure idea of what I like and where I want to go and I follow that.
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I worked with him for years. I still think Kanye [West] is one of the most important people in music in the last ten years.
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There are things I like, there are things I strongly dislike. In my DJ sets and in my production I just gravitate towards what I like.
A-Trak