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There's a bit less elbow room and latitude to take it somewhere else, at least at festivals. In the club you can do whatever you want but at festivals, especially Ultra, nowadays the crowd wants to hear our songs.
A-Trak
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A-Trak
Age: 42
Born: 1982
Born: March 30
Composer
Disc Jockey
Dj
Entrepreneur
Musician
Record Producer
Recording Artist
Singer
Montreal
Quebec
Alain Macklovitch
Least
Somewhere
Latitude
Whatever
Songs
Elbows
Less
Especially
Festivals
Song
Room
Nowadays
Else
Rooms
Club
Take
Wants
Crowd
Ultra
Bits
Crowds
Ultras
Hear
Clubs
Elbow
More quotes by A-Trak
I have a radio show on Sirius XM. I put it up as a free download on my Soundcloud and on iTunes. That's a portal for me once a month, to play songs I know aren't getting played on that station the rest of the week.
A-Trak
That's what a DJ is at the end of the day - someone who leads where the music goes. The only thing that's changed is that in America, people have woken up in the last few years and realized it.
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I like getting feedback from people who show a lot of potential, and it's exciting to witness to new talents developing and bourgeoning. I always try to stay around the newest stuff, I don't like to stay with something that's kind of old or approaching it.
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I was a bit of an outsider in the hip-hop world because I was a scratch kid and people weren't necessarily trying to hear that all the time.
A-Trak
What's amazing about a DJ set is when you're able to re-appropriate a song or give purpose to a song that people didn't really think it was supposed to have. Give it this sort of hidden power by playing it before this song and after that one. That it fits into this logic and it goes farther than you thought it could go.
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It's always important to me to play something other DJs aren't playing.
A-Trak
Building the scene, going out and doing shows and connecting with the fans, cultivating the fanbase in all these cities. I'm very glad that it's happening.
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I love disco and we sample it a lot for Duck Sauce. For me, that sound is kind of a new manifestation.
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The essential component of being a DJ is setting the mood it's playing to the context. So that if you're not able to adapt from one context to another, then you're not a DJ.
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I think that's becoming the key to where the whole idea of art and culture are going nowadays anyway, is the idea of curation. Knowing what you like. That's sort of the future right now. Molding something, whether it be a roster on a label, or your blog, or a song, or your DJ set.
A-Trak
At festivals you kind of have to play the game a bit and you have to play a lot of the big bangers but it's to me it's extra gratifying to be able to play the non-bangers and make it work. Because that's still the craft of the DJ, I think.
A-Trak
When I get up I still check the rap blogs before I check any kind of dance stuff.
A-Trak
I'm still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
A-Trak
A few guys will get up there with turntables as purists, to play vinyl or whatever.
A-Trak
I'm not even a trained producer. I just keep following my ear and working on stuff until it sounds the way I like it.
A-Trak
Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.
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I'm one of the few DJs who uses turntables. I'm the only DJ that's scratching.
A-Trak
I've been doing it since I was prepubescent when I loved to scratch records and play good music. As it happens, you know I sort of fell into the mix. I really feel like I played a role in bringing dance music to America years ago.
A-Trak
I worked with him for years. I still think Kanye [West] is one of the most important people in music in the last ten years.
A-Trak
Right now it feels like we're playing a role, like me and a couple of my friends, in where popular culture is going. That's a very rare thing in a person's life to be able to be a part of that. It's a responsibility I take seriously.
A-Trak