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He felt changed, but there was no one to tell.

A. S. Byatt

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A. S. Byatt
Age: 88
Born: 1936
Born: August 24
Literary Critic
Novelist
Poet
University Teacher
Writer
Sheffield
England
Dame Antonia Susan Duffy
Antonia Susan Drabble
Antonia Susan Duffy
Changed
Felt
Tell

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…words have been all my life, all my life--this need is like the Spider's need who carries before her a huge Burden of Silk which she must spin out--the silk is her life, her home, her safety--her food and drink too--and if it is attacked or pulled down, why, what can she do but make more, spin afresh, design anew….
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For my true thoughts have spent more time in your company than in anyone else's, these last two or three months, and where my thoughts are, there am I, in truth.
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What I need to write well is a combination of heat, light and solitude.
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Novels arise out of the shortcomings of History.
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There are things that happen and leave no discernible trace, are not spoken or written of, though it would be very wrong to say that subsequent events go on indifferently, all the same, as though such things had never been.
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As a little girl, I didn't like stories about little girls. I liked stories about dragons and beasts and princes and princesses and fear and terror and the Four Musketeers and almost anything other than nice little girls making moral decisions about whether to tell the teacher about what the other little girl did or did not do.
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Autobiographies tell more lies than all but the most self-indulgent fiction.
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Lists are a form of power.
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Vocabularies are crossing circles and loops. We are defined by the lines we choose to cross or to be confined by.
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I did a lot of my writing as though I was an academic, doing some piece of research as perfectly as possible.
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She was a logical child, as far as children go. She did not understand how such a nice, kind, good God as the one they preyed to, could condemn the whole earth for sinfulness and flood it, or condemn his only Son to a disgusting death on behalf of everyone. This death did not seem to have done much good.
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It's because I'm a feminist that I can't stand women limiting other women's imaginations. It really makes me angry.
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It's a terrible poison, writing.
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You did not so much mind being -conventionally- betrayed, if you were not kept in the dark, which was humiliating, or defined only as a wife and dependent person, which was annihilating.
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Never stop paying attention to things. Never make your mind up finally. Do not hold beliefs.
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You know, it's a truism that writers for children must still be children themselves, deep down, must still feel childish feelings, and a child's surprise at the world.
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I'm not very interested in myself. I do have a deep moral belief that you should always look out at other things and not be self-centred.
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A surprising number of people - including many students of literature - will tell you they haven't really lived in a book since they were children.
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On buses and trains, I always think about the inexhaustible variety of human genes. We see types, and occasionally twins, but never doubles. All faces are unique, and this is exhilarating, despite the increasingly plastic similarity of TV stars and actors.
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I don't see much point in doing things for a pure joke. Every now and then you need a joke, but not so much as the people who spend all their lives constructing joke palaces think you do.
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