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There's something to be said in favor of working in isolation in the real world.
A. R. Ammons
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A. R. Ammons
Age: 75 †
Born: 1926
Born: February 18
Died: 2001
Died: February 26
Poet
University Teacher
Writer
Whiteville
North Carolina
A.R. Ammons
A R Ammons
AR Ammons
Isolation
Favor
Favors
Working
Real
Something
World
More quotes by A. R. Ammons
To be saved is here, local and mortal
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Things go away to return, brightened for the passage
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For though we often need to be restored to the small, concrete, limited, and certain, we as often need to be reminded of the large, vague, unlimited, unknown
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If a poem is each time new, then it is necessarily an act of discovery, a chance taken, a chance that may lead to fulfillment or disaster
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Probably all the attention to poetry results in some value, though the attention is more often directed to lesser than to greater values
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Thats a wonderful change thats taken place, and so most poetry today is published, if not directly by the person, certainly by the enterprise of the poet himself, working with his friends.
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It's not a love of poetry readings that attracts those who do come to them but theater.
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If the greatest god is the stillness all the motions add up to, then we must ineluctably be included.
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The wonderful workings of the world: wonderful, wonderful: I'm surprised half the time
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Where but in the very asshole of comedown is redemption: as where but brought low, where but in the grief of failure, loss, error do we discern the savage afflictions that turn us around: where but in the arrangements love crawls us through
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Only silence perfects silence.
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A poem generated by its own laws may be unrealized and bad in terms of so-called objective principles of taste, judgement, deduction.
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You have your identity when you find out, not what you can keep your mind ON, but what you can't keep your mind OFF.
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What destruction have I been blessed by?
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Is it not careless to become too local when there are four hundred billion stars in our galaxy alone.
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If we ask a vague question, such as, 'What is poetry?' we expect a vague answer, such as, 'Poetry is the music of words,' or 'Poetry is the linguistic correction of disorder.'
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I have reached no conclusions, have erected no boundaries, shutting out and shutting in, separating inside from outside: I have drawn no lines
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I can't tell you where a poem comes from, what it is, or what it is for: nor can any other man. The reason I can't tell you is that the purpose of a poem is to go past telling, to be recognised by burning.
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Besides the actual reading in class of many poems, I would suggest you do two things: first, while teaching everything you can and keeping free of it, teach that poetry is a mode of discourse that differs from logical exposition
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Definition, rationality, and structure are ways of seeing, but they become prisons when they blank out other ways of seeing.
A. R. Ammons