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AN ABSOLUTELY VITAL FILM. Exacting, enraging and revelatory. A clear, temperate and devastating account of high level arrogance and incompetence.

A. O. Scott

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A. O. Scott
Age: 58
Born: 1966
Born: July 10
Film Critic
Journalist
Northampton
Massachusetts
Anthony Oliver Scott
Level
Temperate
Levels
Devastating
High
Incompetence
Clear
Arrogance
Film
Vital
Account
Accounts
Revelatory
Absolutely
Exacting

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ADMIRABLY BOLD. There's something grand about the film's sincerity and the intensity of its emotions and something fresh and bold about the way director Gray uses the conventions of romantic melodrama.
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Subtle, funny and touching, with a striking downbeat authenticity. Director Craig Zobel is the real thing.
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The camera has an uncanny ability to capture the world as it is, to seize events as they happen, and also to conjure visions of the future. But by the time the image reaches the eyes of the viewer, it belongs to the past, taking on the status of something retrieved.
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Not just a timely movie, a great one...Timbuktu feels at once timely and permanent, immediate and essential.
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We have reached a strange new place in marketing when tweets become full-page print ads.
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Those reliable axioms about the taste and expectations of the mass movie audience are not so much laws of nature as artifacts of corporate strategy. And the lessons derived from them conveniently serve to strengthen a status quo that increasingly marginalizes risk, originality and intelligence.
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Every art form changes, often at rates and in ways that cause discomfort to its devotees. But the arts also have a remarkable ability to withstand and absorb those changes, and to prove wrong the prophecies of their demise.
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The musical performances do more than enrich the movie they complete it.
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