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If you don’t write the book you have to write, everything breaks.

A.M. Homes

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A.M. Homes
Book
Writing
Breaks
Break
Write
Everything

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A lot of people get flipped out if you're quiet. They say stuff like, What are you thinking? And if they don't start interrogating you, they start talking, going on and on about stuff that's totally irrelevant, and the silence gets so big and loud that it's scary.
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It's my policy not to review funerals.
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Birthday parties make me nervous as hell. They're one of those things where you're forced to be happy. And even if you're totally depressed, you're got to pretend you're glad you were born, regardless of the fact that getting older means you're closer to dying.
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I'm feeling how profoundly my family disappointed me and in the end how I retreated, how I became nothing, because that was much less risky than attempting to be something, to be anything in the face of such contempt.
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I am very interested in loyalty, even if the person to whom one is loyal is flawed, criminal, or otherwise in the wrong.
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My mind leaps to my theory about presidents - that there are two kinds, ones who have a lot of sex and the others who start wars. In short - and don't quote me, because this is an incomplete expression of a more complex premise - I believe blow jobs prevent war.
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You really can't write well if you're thinking about what the reviewers might say.
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It annoys the hell out of me when people say, This is the kitchen, and this is the bathroom. What am I, Helen Keller? I mean, it's pretty obvious when you're in a kitchen and when you're not.
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People should pay more attention. Everyone wants attention, but no one wants to give attention.
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I liked the fact she understood how we all have little secret habits that seem normal enough to us, but which we know better than to mention out loud.
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Was this the big one or was this the small tremor, the warning? Does it get better - does the sensation of being in a dream underwater go away?
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I'd say our ability to supersize emotions are American-made special effects. In European countries, people mostly stay close to home and whatever rage there is simmers under the surface - it's what made the plays of Shakespeare and Harold Pinter so good.
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The world of Shirley Jackson is eerie and unforgettable.
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I think fiction can help us find everything. You know, I think that in fiction you can say things and in a way be truer than you can be in real life and truer than you can be in non-fiction. There's an accuracy to fiction that people don't really talk about - an emotional accuracy.
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I'm nothing you can catch now. I am black powder, I am singe, I am the bomb that bursts the night.
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Books tell you more about their owners than the owners do.
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I'm very interested in compassion - compassion for oneself and others. I write about very complicated characters and experiences and try to do it without judging the character or the action.
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I once jokingly told someone that every book is like a relationship. They're four or five years long - that's not so bad. They're serious. They demand a lot of attention. But I remember thinking that I wanted to have one with someone who's not so crazy and peculiar and demanding.
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Sometimes you can do things for others that you can't do for yourself.
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